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Science, in the broadest sense of the term, refers to any system of knowledge attained by verifiable means. In a more restricted sense, science refers to a system of acquiring knowledge based on empiricism, experimentation, and methodological naturalism, as well as to the organized body of knowledge humans have gained by such qualified research.

Scientists maintain that scientific investigation must adhere to the scientific method, a rigorous process for properly developing and evaluating natural explanations for observable phenomena based on reliable empirical evidence and neutral, unbiased independent verification, and not on arguments from authority or popular preferences. Science therefore bypasses supernatural explanations, it instead only considers natural explanations that may be falsifiable.

Fields of science are distinguished as pure science or applied science. Pure science is principally involved with the discovery of new truths with little or no regard to their practical applications. Applied science is principally involved with the application of existing knowledge in new ways, including advances in technology.

Mathematics is the language in which scientific information is best presented, often it is the only way to formulate and present scientific knowledge. Therefore whether mathematics is a science in itself or the framework of science is a matter of perspective.


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The tectonic plates of the world were mapped in the second half of the 20th century.
Plate tectonics (from Greek τέκτων, tektōn "builder" or "mason") is a theory of geology which was developed to explain the observed evidence for large scale motions within the Earth's crust. The theory encompassed and superseded the older theory of continental drift from the first half of the 20th century and the concept of sea floor spreading developed during the 1960s.

The outermost part of the Earth's interior is made up of two layers: above is the lithosphere, comprising the crust and the rigid uppermost part of the mantle. Below the lithosphere lies the asthenosphere, which is a more viscous zone of the mantle. Although solid, the asthenosphere has very low shear strength and can flow like a liquid on geological time scales. The deeper mantle below the asthenosphere is more rigid again.

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Gallium melts in your hand.
Credit: Foobar

Gallium (IPA: /ˈgaliəm/) is a chemical element that has the symbol Ga and atomic number 31. A rare, soft silvery metallic poor metal, gallium is a brittle solid at low temperatures but liquefies slightly above room temperature and will melt in the hand. It occurs in trace amounts in bauxite and zinc ores. An important application is in the compound gallium arsenide, used as a semiconductor, most notably in light-emitting diodes (LEDs).

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Leonardo da Vinci
Leonardo di ser Piero da Vinci (About this sound pronunciation ), April 15, 1452May 2, 1519) was an Italian polymath, having been a scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, botanist, musician and writer. Born as the illegitimate son of a notary, Piero da Vinci, and a peasant girl, Caterina, at Vinci in the region of Florence, Leonardo was educated in the studio of the renowned Florentine painter, Verrocchio. Much of his earlier working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice, spending his final years in France at the home given to him by King François I.

Leonardo has often been described as the archetype of the "Renaissance man", a man whose seemingly infinite curiosity was equalled only by his powers of invention.[1] He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived.[2]

It is primarily as a painter that Leonardo was and is renowned. Two of his works, the Mona Lisa and The Last Supper occupy unique positions as the most famous, most reproduced and most parodied portrait and religious painting of all time, their fame approached only by Michelangelo's Creation of Adam.[1] Leonardo's drawing of the Vitruvian Man is also iconic. Perhaps fifteen of his paintings survive, the small number due to his constant, and frequently disastrous, experimentation with new techniques, and his chronic procrastination.[b] Nevertheless, these few works together with his notebooks, which contain drawings, scientific diagrams, and his thoughts on the nature of painting, comprise a contribution to later generations of artists only rivalled by that of his contemporary, Michelangelo.

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